A Moon for the Misbegotten: Eugene O’Neill’s darkly funny play focuses on James Tyrone, an alcoholic failed actor, and his tenant neighbors, tough Irish Americans living in difficult circumstances. Through March 7; Friday-Saturday, 8 p.m.; Sunday, 2 p.m. Louis B. Mayer Theatre, Santa Clara University, 500 El Camino Real, Santa Clara. $5-$15. 408-554-4015. Mooncakes, Churros and Cherry Pie: A mutlimedia exhibit that explores the connections between food, migration, and culture, in conjunction with Silicon Valley Reads 2015. Through March 19. “Soul Food Sculptures” art workshop March 7, 10 a.m.-1 p.m. Euphrat Museum of Art, De Anza College, 21250 Stevens Creek Blvd., Cupertino. deanza.edu/euphrat, 408-864-5464.
Beal herself is opaque on what the hereafter is all about, “I don’t want to say; I want to keep it open-ended,” she declares, However, she’s dead sure about one point, “This life is so mysterious to me that I can’t not think that whatever happens is equally astonishing.”, Three related free public events are scheduled, They are “Present at the Passing,” a workshop on end-of-life concerns, 7 p.m, March 18" x 18" pillow case square so suite ballet tutu dress slippers skirt flower crown angel wings barre decorator pillow 26 at the Center for Spiritual Living, 1195 Clark St., San Jose; “Pondering the Imponderables: Metaphors in Science, Art and Religion,” a panel discussion including Tandy Beal, 3 p.m, March 29, Louis B, Mayer Theatre, Santa Clara University; and “Lighting the Way: A Conversation about Spiritual Living and Dying,” 7-8:30 p.m, April 3, Center for Spiritual Enlightenment, 1146 University Ave., San Jose..
The first of the three ballets, “Indigo,” choreographed by Stanton Welch, artistic director of the Houston Ballet, is a passionate dance full of speed, artistry and elegance. Set to two Vivaldi cello concertos — the first in B minor, RV 424, and the second in G minor, RV 416 — the music generates a frenetic energy as dancers attack the stage with confidence and grace. The ballet tells the story of four couples in love who fight, make up, fight, and eventually change partners. The real story here, however, is the incredible technical exactitude required to complete this dance in a way that looks effortless. The choreography is composed of quirky, unexpected, whimsical motion and the overall effect is one of elegance and control.
Frank Gasparovic was a star football and basketball player at Slidell High School outside New Orleans, and Kim was on the dance team that performed at halftimes, They liked each 18" x 18" pillow case square so suite ballet tutu dress slippers skirt flower crown angel wings barre decorator pillow other, but were always going out with other people, so nothing romantic ever happened, After their 1977 graduation, they went their separate ways, Frank went to college in Mississippi on a basketball scholarship, studied business and wound up in the Bay Area, Kim stayed in Louisiana, became a kindergarten teacher and settled in Slidell, Both married other people and started families..
9. Queens of the Stone Age, “If I Had a Tail”. For those who still believe rock-and-roll should be slimey, sinister stuff. 10. Lori McKenna, “Salt”. A ballad so brutal, you could lose weight crying to it. 11. Florida-Georgia Line, “Cruise”. Country music’s macho mutation into arena rock is nothing to fear if all of the songs end up being as fun as this one. 12. Rocko feat. Future, Rick Ross, “U.O.E.N.O.”. The most mesmerizing backing track in rap music since OutKast’s “Elevators,” U-O-E-N-O.